Unfortunately, the download was unsuccessful, so this could mean that Apple jumped the gun on the trial update, or an outright mistake was made.
After looking at the version number of the download, he noticed that it was showing version 10.3, instead of the publicly released 10.2.3 now available on the Mac App Store. Richard Taylor, an Apple Certified Trainer for Final Cut Pro, attempted to download the Final Cut Pro X 30-day trial and was met with an unsuccessful download.
Final Cut Pro creates a QuickTime file containing a video track and eight mono audio tracks in the order defined in the previous step.It’s been months since Apple’s pro video app Final Cut Pro X received an update, but if the trial version is anything to go by, then an update may be right around the corner. Click Next (or Share), choose a location, then click Save.Configure the audio roles in the following order: Create eight new mono audio roles by clicking Add Audio Track.Remove the existing audio roles by placing the pointer over the role you want to remove, then clicking the Remove (–) button that appears to the right of the pop-up menu.Configure the other settings as desired.Click Settings, choose Video and Audio from the Format pop-up menu, then choose Multitrack QuickTime Movie from the "Roles as" pop-up menu.Make sure to disable any other audio in the project Timeline so that you only hear the new audio files. Import the finished video clip, edit it into the timeline, and sync the audio to the video.Assign component clips to subroles according to the "Subrole assignments" table.Īfter assigning roles and subroles, sync the video and audio clips in the Timeline, then share the project as an MXF file. Select a component clip in the Timeline (not the main audio clip), select Modify > Assign roles, then choose a subrole from the list.Six component clips appear under the surround clip, and two component clips appear under the stereo clip. Right-click the clip in the Timeline and choose Expand Audio Components.In the Audio tab of the inspector, click the Surround pop-up menu and choose 6 Mono for the surround clip, and Dual Mono for the stereo clip.If you imported the surround and stereo audio clips as single interleaved files, do the following for each clip:.Edit the 5.1 surround audio clip(s) and the stereo audio clip(s) into the Timeline.To show the subroles in the Timeline, click the Show Subroles icon for each role. Edit the 5.1 surround audio clip(s) and the stereo mix clip(s) into the Timeline.If you imported the surround and the stereo mixes as individual mono files, assign each file to the appropriate subrole of the 5-1 Mix and Stereo Mix roles.
Assign its two components to subroles according to the "Subrole assignments" table.In the Audio Inspector, click the Channels pop-up menu and choose Dual Mono.If you imported the stereo mix as an interleaved file, do the following:.Assign all other components of the surround file to subroles according to the "Subrole assignments" table. In the Audio Inspector, click "Dialogue-1" in the first component of the 5.1 surround mix (not the main audio clip), then choose subrole "L" of the 5-1 Mix role.In the Audio Inspector, click the Channels pop-up menu and choose 6 Mono.Select the surround clip in the Browser.